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The film is framed since the recollections of Sergeant Galoup, a former French legionnaire stationed in Djibouti (he’s played with a mixture of cruel reserve and vigorous physicality through the great Denis Lavant). Loosely based upon Herman Melville’s 1888 novella “Billy Budd,” the film makes brilliant use on the Benjamin Britten opera that was likewise motivated by Melville’s work, as excerpts from Britten’s opus take over a haunting, nightmarish quality as they’re played over the unsparing training workout routines to which Galoup subjects his regiment: A dry swell of shirtless legionnaires standing within the desert with their arms from the air and their eyes closed as though communing with a higher power, or continuously smashing their bodies against just one another in a series of violent embraces.
Almost thirty years later (with a Broadway adaptation while in the works), “DDLJ” remains an indelible moment in Indian cinema. It told a poignant immigrant story with the message that heritage isn't lost even thousands of miles from home, as Raj and Simran honor their families and traditions while pursuing a forbidden love.
Babbit delivers the best of both worlds with a real and touching romance that blossoms amidst her wildly entertaining satire. While Megan and Graham tend to be the central love story, the ensemble of try-hard nerds, queercore punks, and mama’s boys offers a little something for everyone.
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23-year-old Aditya Chopra didn’t know his 1995 directorial debut would go down in film history. “Dilwale Dulhania Le Jayenge” — known to fans around the world as “DDLJ” — holds its title since the longest functioning film ever; almost three decades have passed since it first strike theaters, and it’s still playing in Mumbai.
The ‘90s included many different milestones for cinema, but Maybe none more important or depressingly overdue than the first widely distributed feature directed by a Black woman, which arrived in 1991 — almost 100 years after the advent of cinema itself.
Scorsese’s filmmaking has never been more operatic and powerful mainly because it grapples with the paradoxes of awful men as well as profound desires that compel them to try and do awful things. Needless to say, De Niro is terrifically cruel as Jimmy “The Gent” Conway and Pesci does his best work, but Liotta — who just died this year — is so spot-on that it’s hard never to think about what might’ve been experienced Scorsese/Liotta Crime Movie become a thing, as well. RIP. —EK
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And nevertheless “Eyes Wide Shut” hardly involves its astounding meta-textual mythology (which includes the tabloid fascination around Tom Cruise and Nicole Kidman’s unwell-fated marriage) to earn its place since the definitive film from the 1990s. What’s more crucial is that its release from the last year from the last ten years with the twentieth century feels like a fated rhyme for lingerie porn your fin-de-siècle Electricity of Schnitzler’s novella — set in Vienna roughly 100 years earlier — a rhyme that resonates with another story about upper-class people floating so high above their possess lives they can see the whole world clearly save to the abyss that’s yawning open at their feet.
Most of the thrill focused around the prosthetic nose Oscar winner Nicole Kidman wore to play legendary writer Virginia Woolf, even so the film deserves extra credit history for handling LGBTQ themes in such a poetic and mostly understated way.
Many of Almodóvar’s recurrent thematic obsessions appear here at the height of their artistry and success: surrogate mothers, distant mothers, unprepared mothers, parallel mothers, their absent male counterparts, as well as a protagonist who ran away from the turmoil of life but who must ultimately return to face the earlier. Roth, an acclaimed Argentine actress, navigates Manuela’s grief with a brilliantly deceiving air best porn videos of serenity; her character is practical but crumbles for the mere mention of her late baby, continuously submerging us in her insurmountable pain.
Viewed through a different lens, the movie is also a sex comedy, perceptively dealing with themes of queerness, body dysphoria as well as desire to lose oneself in the throes of pleasure. Cameron Diaz, playing Craig’s frizzy veterinarian wife Lotte, has never been better, and Catherine Keener is magnetic because the haughty Maxine, a coworker who Craig covets.
Life itself is not really just a romance or perhaps a comedy or an overwhelming since of “ickiness” or perhaps a chance to help out a person’s ailing neighbors (by way of a donated bong or what have you), but all of those things: That’s a lesson Cher learns throughout her cinematic travails, but one particular that “Clueless” was created to celebrate. That’s always in style. —
From that rich premise, “Walking and Talking” churns into a characteristically lower-crucial but razor-sharp drama about the complexity of women’s bondage girl punish my nineteen year old rump and mouth interior lives, as the writer-director brings such deep oceans of feminine specificity to her dueling heroines (and their palpable display chemistry) that her attention can’t help but cascade down onto her male characters as well.